Featured📅 7/7/2026👁️ 68 views

蝴蝶夫人 (Madame Butterfly) Lyrics, Pinyin | Learn Chinese

Interactive Lyrics

Key HSK Vocabulary

Word Pinyin Meaning HSK Action
夫人 fū ren Mrs, lady HSK 4
蝴蝶 hú dié butterfly, CL:隻 只[zhi1]
后期 hòu qī later stage, later period HSK 7
接替 jiē tì take over, replace HSK 7
在意 zài yì mind, care about HSK 7
吉他 jí tā guitar HSK 7
未经 wèi jīng not having undergone, without HSK 7
统筹 tǒng chóu plan as a whole, make overall plans HSK 7
视觉 shì jué sense of sight HSK 7
艺人 yì rén performer, performing artist HSK 6
依赖 yī lài rely on, be dependent on HSK 6
策划 cè huà to plan, to plot HSK 6
暴雨 bào yǔ rainstorm, torrential rain HSK 6
编辑 biān jí edit, compile HSK 5
再也 zài yě any more HSK 5
未来 wèi lái future, tomorrow HSK 4
权利 quán lì right, interest HSK 4
无法 wú fǎ unable, incapable HSK 4
传播 chuán bō spread, diffuse HSK 3
声明 shēng míng state, declare HSK 3

Grammar Notes

📌 才 (cái) + Verb / Clause
The adverb '才' is used to indicate that an action or event happened later than expected, only after a certain condition was met, or just recently. It conveys a sense of 'only then,' 'not until,' or 'just now.'

我等了很久才看到他。

Wǒ děng le hěn jiǔ cái kàn dào tā.

I only saw him after waiting for a long time.

📌 再也没有 (zài yě méi yǒu) + Verb / Verb Phrase
This structure is used to express that an action or state will 'never again' or 'no longer' happen. It conveys a sense of finality or complete cessation of an event.

她再也没有回过家乡。

Tā zài yě méi yǒu huí guò jiā xiāng.

She never went back to her hometown again.

📌 Verb + 出来 (chū lái) (Resultative Complement)
As a resultative complement, '出来' indicates that an action causes something to emerge, become visible, or be produced from within. It can also imply creating space or distinguishing something. In the lyrics, '心空出了一块' means a part of the heart became empty or a void emerged.

我听出来了他的声音。

Wǒ tīng chū lái le tā de shēng yīn.

I recognized his voice.

📌 Verb / Adjective + 否 (fǒu)
This is a formal and concise way to ask a 'yes/no' question, meaning 'whether or not' or 'is it (verb/adjective) or not?'. It is often used in more formal contexts or to express uncertainty, and can replace the 'V不V' or 'Adj不Adj' question patterns.

您能否提供一些帮助?

Nín néng fǒu tí gōng yī xiē bāng zhù?

Can you provide some help (or not)?

Can a single song capture the sweep of an epic, the ache of a timeless tragedy, and the electrifying thrill of two unique vocal forces uniting? Prepare to be swept away by '蝴蝶夫人' (Madame Butterfly), an astonishing collaboration where Huang Xiaoyun's renowned vocal power and intricate technical skill, honed on stages like 'Singer 2020,' blends seamlessly with Wang Heye's emerging talent for raw, captivating emotional delivery, celebrated across short video platforms. This isn't just a song; it's an immersive artistic dialogue that promises to resonate deeply, offering a compelling gateway to the beauty of the Chinese language.

Quick Info

Song Name 蝴蝶夫人 (Madame Butterfly)
Artist 黃霄雲&王赫野
Original Singer Original
Release Year 2023
Duration 04:10

The Story Behind the Song

"蝴蝶夫人," as reimagined by 黃霄雲 & 王赫野, isn't just a song; it's a haunting echo across centuries, a vibrant, contemporary pulse given to Puccini's devastating opera. Witnessed on "The Sound of My Dream," their rendition plumbs the depths of Cio-Cio San's unwavering love and the brutal tragedy of cultural collision. Through modern Chinese pop sensibilities, the heart-wrenching narrative of sacrifice and unrequited devotion is reborn, allowing the vulnerability and profound sorrow of a woman caught between worlds to resonate with stark, emotional immediacy. It's a lament, fiercely relevant, that explores the enduring pain of dreams shattered on the shores of an indifferent fate.

✨ Lyrical Highlights

等待是東方最古老而又最殘酷的信仰
Děngdài shì dōngfāng zuì gǔlǎo ér yòu zuì cánkù de xìnyǎng
Waiting is the oldest yet cruelest belief in the East.

This line beautifully and tragically encapsulates the essence of Cio-Cio San's unwavering devotion and her cultural context. It highlights how her virtue of patience, deeply rooted in Eastern tradition, transforms into a cruel self-inflicted torment in the face of Western abandonment. The paradox of "oldest yet cruelest" profoundly reveals the destructive nature of her steadfast love and hope.

我守著空蕩的庭院 等一場沒有結局的雪
Wǒ shǒuzhe kōngdàng de tíngyuàn děng yī chǎng méiyǒu jiéjú de xuě
I guard an empty courtyard, waiting for a snow with no ending.

The imagery here is stark and deeply poetic, painting a vivid picture of desolate waiting. An "empty courtyard" symbolizes a life devoid of warmth and companionship, while "snow with no ending" evokes an eternal, cold, and hopeless wait. This powerful metaphor profoundly expresses the character's lingering despair and the slow, cold demise of her spirit.